Pedagogical Goals
If you take this class, you should expect the following:
To gain a good understanding of Joyce’s Ulysses;
To learn about the relationship of Joyce’s work to the works of
Homer and Shakespeare;
To develop familiarity with the methods of literary criticism and
digital scholarship.
English majors taking the course should also expect to undertake
a major research project (senior seminar essay).
Texts
Primary:
Homer, The Odyssey, trans. Fitzgerald (Farrar
Strauss)
James Joyce, Portrait of the Artist as a Young Man (Penguin)
James Joyce, Ulysses, ed. Gabler (Vintage)
William Shakespeare, Hamlet, Prince of Denmark, ed. Edwards
(New Cambridge Shakespeare)
Note: other editions of Hamlet are also acceptable.
Secondary:
Don Gifford, Ulysses Annotated (recommended)
Harry Blamires, The New Bloomsday Book
Texts are available at Labyrinth Books, 290 York
St.
Class Time
TTh 11:35-12:50. Please come on time and turn off cell phones
before class starts.
Office Hours
T2:30-3:45 and other times by appointment.
I encourage all students to come meet with me during the process
of writing papers for the course. In order to be sure of having
enough time to talk, please schedule an appointment by calling
Angelika Schriever at 432-2760 or emailing her at angelika.schriever
at yale.edu.
Course Website
Students will contribute to the Modernism Lab website
at http://modernism.research.yale.edu. Every student will receive
a password to contribute to the site wiki. As part of a group project,
you may either write an introduction to one episode of Ulysses
(Proteus, Calypso, Cyclops, Oxen of the Sun, Circe, Eumaeus, or
Penelope) or collaborate in the creation of an interactive map
of Bloom’s and Stephen’s wanderings in Dublin. Each student will
also give a brief presentation on that episode in class (the write-up
is optional for senior essay writers). In addition, each student
should post comments or questions on one or more of the episode
introductions at least three times during the semester. Students
writing the episode introductions can draw on the comments or questions
of their classmates in revising the introductions. In addition,
students are invited to make use of and contribute to a database
of information on Joyce’s life and works.
Assignments, grades, and due dates
For all students: participation in class and contributions to wiki:
25%
For English majors and senior seminar essay writers in
the Literature Major:
Bibliography and proposal, due September 30, and rough draft, due
November 8: 15%
Final essay, due December 3: 60%
Senior essay writers have the option of also participating in one
of the group projects, which will be worth 20% of their grades; the
final version will be due December 10.
I will ask the authors of excellent senior essays if they would like
to post their essays on the featured research section of the website.
For other studentss:
2 short essays (6-8 pages), due October 13 and November 19: 25%
each
Group project (up to 2000 words), due on-line in draft form at least
24 hours before the episode is discussed in class (for episode introductions),
with final version due December 10: 25%
Papers can be submitted at the drop-box outside the English department
office (room 109, Linsly-Chittenden Hall), with my name clearly
indicated on the front page, or at the Comparative Literature
office (room 102, 451 College Street). Late papers will be penalized
unless accompanied by a Dean’s excuse.
Format of Papers; Plagiarism
Consult “Some Matters of Form” for guidelines about how to format
your papers. This document is available in the English department
office. Your assignments must be typed in 12-point font, with margins
of one inch. We will discuss plagiarism before you hand in your first
papers. You should document all your sources for any ideas or information
if you are unsure whether they originated with you. (This includes
any information you find on the web). Yale College regulations require
that I report all cases of plagiarism to the Yale College Executive
Committee. You can find further information in a pamphlet entitled
“Sources: Their Use and Acknowledgment,” which you should have received
from the Yale College Dean’s Office. See also http://www.dartmouth.edu/~sources/.
You may also wish to consult either the MLA Handbook or
the Chicago Manual of Style.
Readings
In addition to the assigned readings, you should read through the
notes relevant to each episode of Ulysses in Gifford’s Ulysses Annotated.
Some people prefer to read the relevant section of Blamires’ New
Bloomsday Book before reading the corresponding episode in Ulysses;
others prefer to read Joyce first, then Blamires. Readings are listed
on the next page.
September
Th 2 Ulysses, episode 1
T 7 Class cancelled
Th 9 Portrait of the Artist as a Young Man
T 14 Portrait of the Artist as a Young Man
Th 16Ulysses, episode
1; brief introduction
to course website
T 21 Hamlet; Ulysses, episode 2
Th 23 Hamlet; Ulysses, episode 3
T 28 Odyssey, books 1 to 8; Ulysses, episode 4
Th 30 Odyssey, books 9 and 10; Ulysses, episode 5; Proposal
and outline for senior seminar essay due
October
T 5 Odyssey, book 11; Ulysses, episode
6
Th 7 Ulysses, episode 7; review Odyssey, book 10
T 12Ulysses, episode 8
W 13 First
short paper
due
Th 14 Class cancelled
T 19 Odyssey, book 12; Ulysses, episode 9
Th 21 Ulysses, episode 10
T 26 Ulysses, episode 11
Th 28 Ulysses, episode 12; review Odyssey, book 9
November
T 2 Ulysses, episode 13; review Odyssey, book
5
Th 4 Ulysses, episode 14-15; review Odyssey, book
10
M 8 Rough draft of senior seminar
essay due
T 9 Ulysses, episode 15, continued; T. S. Eliot,
“Ulysses, Order, and Myth”
Th 11 Class cancelled
T 16 Odyssey, books 13 to 18
Th 18 Odyssey, books 19 to 24
F 19 Second short paper due
T 30 Ulysses, episode 16
December
Th 2 Ulysses, episode 17
F 3 Final senior seminar
essay due
T 7 Ulysses, episode 17, continued
Th 9 11:35-2:00 Reading of Ulysses, episode 18
(Note: the last two classes take place during reading period)
F 10 Final Versions of group projectsshould be posted online |